Being in the splash zone when someone is Wile E. Coyote’d piano style isn’t the strangest thing that’s happened to Misha this week. He’s been nominated for an Oscar and he’s probably about to lose his job. Oh, and a bunch of the characters he’s written are out to get him. If he’d chosen any genre besides horror, this might not be quite as scary, but here we are.
Misha is dealing with the evils of AI in creative spaces and the unscrupulousness of the entertainment industry, with a good dose of past trauma intruding on the present thrown in for good measure.
“It’s no fun when your plotline goes sideways, is it?”
Supporting Misha through the ups, downs and OMG, we’re gonna die! are his boyfriend, Zeke, who’s the kind of too good to be true that you really want to be true, and his aromantic and asexual best friend, Tara.
I loved Zeke and Tara in their supporting roles and spent much of my time with them hoping they wouldn’t be collateral damage. I needed more page time with Tara, though. There aren’t enough asexual characters, especially ones with personalities that bound off the page.
“They’ve got everyone up there besides an ace character,” she observes. “Every fucking time.”
Taking place in the same universe and after the events of Camp Damascus, this book has the body horror, the heart and the WTF that I was looking for.
I didn’t even attempt to try to figure out what was going on when the impossible started showing up. I was happy to sit back and enjoy the ride, and enjoy it I did. This was such a fun blend of what’s going to happen next? and I need to see that movie! I wanted to watch every TV series and movie described, even the crappy sequels. Especially the crappy sequels.
Best lamb ever!
Thank you so much to NetGalley and Titan Books for the opportunity to read this book.
Once Upon a Blurb
Misha is a jaded scriptwriter working in Hollywood, and he’s seen it all. All the toxic personalities and coverups, the structural obstructions to reform, even dead actors brought back to screen by CGI – and finally, maybe, the hint of change.
But having just been nominated for his first Oscar, Misha is pressured by his producers to kill off a gay character in the upcoming season finale — “for the algorithm” — on the same day he witnesses to gruesome death-by-piano of treasured animator (and notorious creep) Raymond Nelson.
Success, it seems, isn’t the answer to everything.
With the help of his best friend and paranoid database queen, Tara, and his boyfriend, Zeke, Misha has face down his traumatic childhood and past mistakes. But in a paranoid industry that thinks nothing of killing off talent, it’s not so simple to find a way to do what’s right.