The Pulling – Adele Dumont

Pulling out just one shaft of hair at a time always felt so insignificant, something imperceptible. Who could notice one strand missing from a whole, overly thick head of hair?

I’ve never known anyone who compulsively pulls their hair out. I mean, I probably have because an estimated 2% of the population have trichotillomania, but shame keeps it hidden in plain sight.

Hair pulling is not even something that makes a whole lot of sense, even to those who live with it.

I am struggling to translate all this to you; when I am not in the midst of it I myself struggle to fathom it. Such is the strangeness of all this that – once I have returned to the world – I find it difficult to contemplate or believe in its subsuming power.

Logic would say that pulling your hair out couldn’t possibly help anything. For people with trichotillomania, though, it does (in the moment at least) and that makes it even more confounding.

It’s such a well kept secret that most people haven’t heard of it. Even amongst those who compulsively pull their hair, there’s isolation. Yet, despite this, there are commonalities.

We all like to think we’re unique but one of the fascinating things about trichotillomania is that it looks similar across sufferers, including those who don’t yet know there’s a word for it. Who knew that there’s a hierarchy of hair, that it’s not just about pulling hair but the right hair? Why do people who pull do so in a predictable pattern? When hardly anyone is talking about this, how are there so many common denominators?

I’m not the biggest fan of the medical model when it’s applied to mental health. It can result us taking on a diagnosis as our identity and with the amount of time people can spend pulling, it’s not hard to see how this happens but it makes me uncomfortable.

This is a brave book. Because, as I’ve mentioned, people simply don’t talk about this. Because there’s so much shame attached to it.

This is a painful book. It hurts to witness, even from a distance, the struggle Adele experiences every day.

This is an important book. Brené Brown says it better than I ever could: “If you put shame in a petri dish, it needs three ingredients to grow exponentially: secrecy, silence, and judgement. If you put the same amount of shame in the petri dish and douse it with empathy, it can’t survive.”

I love memoirs. There’s something special about being invited into someone’s life and having them share some of their innermost thoughts. Adele Dumont, in sharing her experience, is shining a light on trichotillomania. Shame and secrets don’t do so well in the light.

Content warnings include mention of alcoholism, mental health and self harm.

Thank you so much to Scribe Publications for the opportunity to read this book.

Rating: 4 out of 5.

Once Upon a Blurb

When Adele Dumont is diagnosed with trichotillomania — compulsive hair-pulling — it makes sense of much of her life to date. The seemingly harmless quirk of her late teens, which rapidly developed into almost uncontrollable urges and then into trance-like episodes, is a hallmark of the disease, as is the secrecy with which she guarded her condition from her family, friends, and the world at large.

The diagnosis also opens up a rich line of inquiry. Where might the origins of this condition be found? How can we distinguish between a nervous habit and a compulsion? And how do we balance the relief of being ‘seen’ by others with our experience of shame?

The Pulling is a fascinating exploration of the inner workings of a mind. In perfectly judged prose, both probing and affecting, Dumont illuminates how easily ritual can slide into obsession, and how close beneath the surface horror and darkness can lie.

Bird Life – Anna Smaill

Dinah’s twin brother, Michael, was a musical prodigy. She still sees him, even though she moved across the world after he died.

‘He built the world, and we both lived inside it. He made it up, and I believed him.’

Animals have spoken to Yasuko since she was 13. Her son has recently left home.

‘I am scared that it is happening again.’

When Dinah and Yasuko meet, they form a friendship, connected by their grief.

I was keen to explore the lives of these two women impacted by mental illness. Given the blurb and some early reviews, I was expecting magical realism and lines blurring reality and inner lives in turmoil.

I couldn’t wait to see how their friendship unfolded so became frustrated waiting for them to meet. The first part introduces you to each woman separately and their lives don’t intersect until the second part.

I didn’t connect with or particularly like either of the main characters. It’s weird, though, because I feel like I know them better than they know themselves and at the same time don’t really know them at all.

This book delves into grief and anger, and the frustration and pain that accompany them. One of the passages that has stayed with me speaks to how tiring grief is.

‘I think because when you lose someone, you have to relearn everything. You have to learn the whole world all over again. But the world without that person in it. That takes a lot of energy, and a very long time.’

It’s possible I stayed too close to this story’s surface and that if I’d dived deeper I would have gotten more out of it. What I was most looking forward to once Yasuko was able to hear animals speaking again was learning what the dog she and her son used to see every night was saying. I acknowledge this misses the point of the entire book but that’s the type of reader that I am.

I didn’t spend time trying to figure out what was real and what was a symptom of mental illness. As far as I was concerned, it was all real to the main characters and so I took the position of going there with them to try to better understand them.

Favourite no context quote:

‘You need to stop beating yourself up. The world is doing a great job of that without your help.’

Content warnings include death by suicide, domestic violence and mental health.

Thank you so much to Scribe Publications for the opportunity to read this book.

Rating: 3.5 out of 5.

Once Upon a Blurb

In Ueno Park, Tokyo, as workers and tourists gather for lunch, the pollen blows, a fountain erupts, pigeons scatter, and two women meet, changing the course of one another’s lives.

Dinah has come to Japan from New Zealand to teach English and grieve the death of her brother, Michael, a troubled genius who was able to channel his problems into music as a classical pianist — until he wasn’t. In the seemingly empty, eerie apartment block where Dinah has been housed, she sees Michael everywhere, even as she feels his absence sharply.

Yasuko is polished, precise, and keenly observant — of her students and colleagues at the language school, and of the natural world. When she was thirteen, animals began to speak to her, to tell her things she did not always want to hear. She has suppressed these powers for many years, but sometimes she allows them to resurface, to the dismay of her adult son, Jun. One day, she returns home, and Jun has gone. Even her special gifts cannot bring him back.

As these two women deal with their individual trauma, they form an unlikely friendship in which each will help the other to see a different possible world, as Smaill teases out the tension between our internal and external lives and asks what we lose by having to choose between them.

Reclaim – Dr Ahona Guha

I’ve read books about complex trauma before. Most focus exclusively on those who have experienced trauma, classifying them as victims or survivors. They tend to talk about what happened to people and then discuss the various short and long term impacts, and offer suggestions for managing them.

I’ve also read books about perpetrators before, although these reads generally focus on serial killers, a result of my interest in criminal profiling. More often than not, a perpetrator is painted as only that. If mention is made of any victimisation that they have experienced, it’s in a reductive manner. This happened to this person as a child. Therefore, this person acted in this way as an adult.

This book is designed to be a guide to evidence-based psychological frameworks that can aid in understanding the nature of complex traumas, the tasks of recovery, the nature of those who perpetrate abuse, and broader issues involved in service provision and trauma management.

What drew me to this book was the fact that its author works as both a clinical and forensic psychologist. As someone with a trauma history, I’m always looking for new, better ways to manage its impacts. As someone with a psychology degree (the most expensive piece of paper I own), I am interested in the why behind the what when people act in ways that victimise others.

I love that this book delves into something that most people conveniently ignore: sometimes a person is both victim and perpetrator.

We have neat binaries in our minds: victims and perpetrators. Some people are both, and we struggle to know where to place these people and how to respond to them.

One of my favourite parts of this book was its exploration of the way the media highlights the stories of survivors of trauma whose impacts are socially acceptable; these are usually young, attractive, educated, heterosexual, white women. What’s lost in the narrative is everyone else, including those who are incarcerated, homeless, struggle with addiction or virtually any other impact that makes it easier for us to focus on someone’s behaviour at the risk of ignoring their underlying trauma.

When we think about complex trauma it is essential to hold all survivors in mind – not just those we judge to be worthy of healing (typically those we see as being most like us).

I also appreciated the acknowledgment that many perpetrators are very skilled at hiding their true colours from the people they’re not victimising. So many times when I’m reading news articles about a horrific crime, I see quotes from people who know the alleged perpetrator, who talk about what a nice, wonderful, community minded person they are. They can’t believe that their friend, coworker, family member or acquaintance would be capable of such violence.

People who engage in abusive acts often demonstrate situation and context-dependent behaviours, so that people who are not being victimised by them will often see very different behaviours.

A blend of theory and case studies (composites so as not to breach confidentiality), this book would be of interest to both trauma survivors and those who work in helping professions. I anticipate that readers who work with trauma survivors will find the information relating to managing vicarious trauma particularly helpful.

Content warnings include mention of addiction, bullying, child abuse, coercive control, death by suicide, deaths in custody, domestic abuse, eating disorders, emotional abuse, mental health, physical abuse, self harm, sexual assault and stalking.

Thank you so much to Scribe Publications for the opportunity to read this book.

Rating: 4.5 out of 5.

Once Upon a Blurb

A groundbreaking book that will broaden and expand your thinking, whether you are a trauma survivor, a clinician, someone who loves a survivor, or someone seeking to understand abuse.

The relationship between trauma and mental health is becoming better recognised, but survivors and professionals alike remain confused about how best to understand and treat it. In Reclaim, through a series of case studies and expert analysis, Dr Ahona Guha explores complex traumas, how survivors can recover and heal, and the nature of those who abuse. She shines a light on the ‘difficult’ trauma victims that society often ignores, and tackles vital questions such as, ‘Why are psychological abuse and coercive control so difficult to spot?’, ‘What kinds of behaviours should we see as red flags?’, and ‘Why do some people harm others, and how do we protect ourselves from them?’

As a clinical and forensic psychologist, Dr Guha has had extensive experience in working with those who perpetrate harm – including stalkers, sex offenders, violent offenders, and those who threaten, bully and harass – and she has a deep understanding of the psychological and social factors that cause people to abuse others. In turn, her clinical work in the trauma treatment field has led her to recognise the enormous impacts of complex trauma, and the failures of systems when working with those who have been victimised.

By emphasising compassion above all, Dr Guha calls for us to become better informed about perpetrators and the needs of victims, so we might reclaim a safer, healthier society for everyone.

The Perfect World of Miwako Sumida – Clarissa Goenawan

Spoilers Ahead! (in the content warnings)

She’d said she wanted to tell me something. Maybe I could find out what, if I traced her path somehow.

Miwako Sumida was only 20 when she died. Her story is told by three people who each knew part of it. Ryusei was the man who loved Miwako. Chie, who began her life as a “transparent girl”, was Miwako’s best friend. Fumi, Ryusei’s sister, was Miwako’s employer. I want to tell you all about them but can’t, because spoilers.

I really liked Miwako. She was blunt. She could be stand-offish. If you wanted to know her at all, you had to work for it. But she was worth the effort.

“You know, she just made everything better. More intense. More colorful. When I looked at her, I used to think, ‘Hey, maybe the world isn’t such a bad place.’”

Her kindred spirit potential was evident to me early on, right about the time she bailed on karaoke with her friends to go to a bookstore. However, even though I saw her through the eyes of three people who knew her best, I still didn’t truly feel like I knew Miwako and I loved that about her.

Miwako was quite deliberately unknowable and although this would usually frustrate me, it somehow endeared her to me even more. It wasn’t until after her death that the secrets she was carrying were revealed and even then, it wasn’t an easy reveal. There was work involved.

I was sad that Miwako’s secrets weighed so heavily on her and that she never sought the support she deserved. Even though I knew from the blurb that she died by suicide I kept wanting her to reach out to one of the people who loved her, to trust them enough with the parts of herself that filled her with shame.

Miwako was not the only one keeping secrets. Ryusei, Chie and Fumi’s stories each highlighted, through their own stories or their memories of Miwako, the pain we feel when we keep parts of ourselves hidden and how secrets can change the course of our lives.

Given the difficult content that’s explored in this book I was surprised that I felt almost meditative while I was reading it. There’s something that I haven’t identified yet about the way it was written that made it feel like the words were washing over me.

It was really easy for me to get into. I found myself dreading the introduction of a new voice each time a new part began because I wasn’t ready to say goodbye to the one I’d been spending time with. Each time, though, the new voice would suck me in and I’d be wanting to learn more of their story.

I was keen to spend more time with Ryusei in the months between his part of the story ending and the next time I saw him. I need to know how he spent his days and how he managed his grief over time, and his story is unfinished in my mind because I don’t have those details.

I really liked Chie and enjoyed getting to know different aspects of Miwako through their shared experience. Overall, though, it seemed to me that Chie’s main role in this story was to provide information to Ryusei and I don’t think she will stay with me. In contrast, I expect Ryusei and Fumi’s stories to linger with me.

Although I’m still having trouble deciding between Miwako and Fumi, I’m almost positive Fumi is my favourite character. And I can’t tell you why, because spoilers. Again!

The final revelation about Miwako’s life read a bit like an info dump to me and I wasn’t entirely sold on all of the details, but in the end it didn’t matter. I loved this book, so much so that I bought my copy of the author’s debut, Rainbirds, before I’d even read a quarter of this one.

But when it came to Miwako Sumida, nothing was as I expected.

Content warnings include abortion, bullying, death by suicide and sexual assault.

Thank you so much to Scribe Publications for the opportunity to read this book.

Rating: 4.5 out of 5.

Once Upon a Blurb

A bewitching novel set in contemporary Japan about the mysterious suicide of a young woman.

Miwako Sumida is dead.

Now those closest to her try to piece together the fragments of her life. Ryusei, who has always loved her, follows Miwako’s trail to a remote Japanese village. Chie, Miwako’s best friend, was the only person to know her true identity – but is now the time to reveal it? Meanwhile, Fumi, Ryusei’s sister, is harbouring her own haunting secret.

Together, they realise that the young woman they thought they knew had more going on behind her seemingly perfect façade than they could ever have dreamed. 

Under the Love Umbrella – Davina Bell

Illustrations – Allison Colpoys

Up in the sky, amongst the stars

There’s something you might not see …

But over your head and just above

There’s an umbrella of my love

To show it’s you I’m thinking of

Wherever you might be.

Warm and fuzzies abound in this gorgeous picture book. We follow four children, who are introduced in the beginning of the book as Joe, Brian, Grace and Izzy, as they navigate the world under their love umbrellas. No matter what they’re feeling or what they’re doing, they’re assured of the love of their family, which follows them wherever they go.

This is the kind of book that makes me almost wish I had a child I could read this to each bedtime. Because the love umbrella works whether you’re with your loved ones or not I can also see the value of using this book if your child has separation anxiety or if a caregiver needed to be absent from the home for a period of time for work, illness or miscellaneous. Multiple ethnicities are represented, as are different types of families, although I didn’t find any children with a visible disability in any of the illustrations.

I’m always up for a challenge so I loved the idea of trying to discover all of the umbrellas pictured in the book and if I was reading this with a child I’d be encouraging them to help me find them. My personal favourite ‘hidden’ umbrella was the moving truck number plate – BR0LLY.

The illustrations are lovely. The umbrellas in the stars and fireworks are particularly creative and there are plenty of details to appreciate, including a framed picture of a bear wearing a tutu and holding (you guessed it!) an umbrella.

I wouldn’t usually choose a book for bedtime reading with fluorescent colours but for some reason it works here, especially when there’s a dark background.

I’m probably more partial to the idea of love umbrellas because once upon a time, when a work friend and I were having a bad day or needed some emotional support we’d ask to borrow an umbrella from the other. We’d end up having a coffee and a chat, and even if the problem wasn’t solved by the end of the conversation we felt better knowing we could share it with someone who cared. We gave each other umbrella themed gifts and each had one of those umbrellas you find in fancy drinks on our desks at work.

Just looking at that flimsy little paper umbrella made me smile each time I glanced at it; it reminded me that whatever type of day I was having there was someone in the next office who cared enough about me to be there for me no matter what, and vice versa. It prevented me from ever feeling alone. Although it’s many years later I still associate umbrellas with emotional support and it makes my heart feel all gooey that the kids who are read this book are going to associate the imagery of umbrellas with love.

This book will have you thinking about who’s under your Love Umbrella. ☂️

Rating: 4 out of 5.

Once Upon a Blurb

Whatever you fear, come close my dear

You’re tucked in safe for always here

And I will never not be near

Because of our love umbrella

From this award-winning creative duo comes a book about the wonder of ever-present love. A stunning celebration of the joy and comfort that is always with us, wherever we roam in the big, wild world.

Who’s under your Love Umbrella?