Aster, Clementine, Mallow, Tansy and Violet are Good Luck Girls, something that sounds fortuitous until you know what that term truly means. With the exception of Violet, they were taken from their families to Green Creek welcome house with the promise of a better life.
Favors, the welcome house version of branding, are such a contradiction: aesthetically beautiful, yet representative of such pain and suffering.
Good Luck Girls begin working as daybreak girls. On their sixteenth birthday, daybreak girls become sundown girls, through a rite of passage called their Lucky Night.
When Clementine accidentally kills a brag on her Lucky Night, her sister, Aster, is determined to protect her. Now five Good Luck Girls are on the run, pursued by both the living and the dead. Their only hope is to find the Lady Ghost, but as far as anyone knows she’s only a bedtime story.
This book could have broken me, given the darkness of what the girls have experienced, if it wasn’t for the girls themselves. Initially I thought Clementine was going to be the star of this show but Aster and Violet were the two I bonded with the most.
Slightly older than the others, Aster and Violet have experienced trauma the other girls haven’t. I loved them for their strength and courage, despite the odds stacked against them. Given what they’d been through, it would be easy for the darkness to overwhelm them but they refuse to give up, holding onto whatever scraps of hope they can carry.
Although it’s not specifically named here, the girls clearly exhibit signs of PTSD. What I loved, if you can say you love anything where PTSD is concerned, were the nuances. The trauma was expressed differently amongst the girls, with each utilising their individual strengths to survive, both physically and emotionally. There was an authenticity to their portrayal, from the dissociation and flashbacks to the difficulties trusting others and themselves.
The character that caused me the most conflict was Zee. I so wanted to trust him but, like Aster, I wasn’t sure if it was safe to do so. I ended up spending most of the book silently pleading with him to be worthy of the girls’ trust.
It felt as though Aster and Lei from Girls of Paper and Fire were kindred spirits. The raveners reminded me of Dementors, but as a physical embodiment of PTSD. The names of the girls brought to mind Lex and the other girls I met in What Unbreakable Looks Like. This book stands on its own two feet, though.
I was immersed in this world. The threat of the raveners and vengeants were ever-present. The divide between fairbloods and dustbloods was clear. The danger was unrelenting. But hope shone through as brightly as a covered favor.
This is a real underdog story, where you have the opportunity to cheer on a group of girls who have been so downtrodden that you can’t help but become invested in their journey. You want them to win. You need them to win. Because any other outcome would hurt too much.
Content warnings include addiction, death by suicide, human trafficking, mental health, racism, sexual assault, slavery, suicidal ideation and torture.
Thank you so much to NetGalley and Hot Key Books, an imprint of Bonnier Books UK, for the opportunity to read this book. I can’t wait to get my hands on the sequel!
Once Upon a Blurb
Aster. Violet. Tansy. Mallow. Clementine.
Sold as children. Branded by cursed markings. Trapped in a life they never would have chosen.
When Aster’s sister Clementine accidentally murders a man, the girls risk a dangerous escape and harrowing journey to find freedom, justice, and revenge – in a country that wants them to have none of those things. Pursued by the land’s most vicious and powerful forces – both living and dead – their only hope lies in a bedtime story passed from one girl to another, a story that only the youngest or most desperate would ever believe.
It’s going to take more than luck for them all to survive.