Illustrations – José María Beroy
This graphic novel is an adaptation of Andrew Lloyd Webber’s The Phantom of the Opera, itself based on Gaston Leroux’s novel. While I would have loved to have been able to indulge in a scene by scene replication of the entire musical, that would have been a much larger volume. The scenes that were adapted still clearly told the story that I know so well, and I sang along (in my head, of course, so I didn’t frighten the neighbours) with all of the song excerpts.
The illustrations were gorgeous, evoking the feel of the scenes, from the bright, colourful masquerade to the leaching of colour when the Phantom appears in Christine’s mirror.
I spent much of the 90’s obsessed with this musical, having travelled to Melbourne for the best school excursion ever. I’d never imagined that a musical could be so immersive; we gasped and pointed each time we saw the Phantom appear off stage and I’m not embarrassed to admit that I really thought that chandelier was going to hurt someone.
It was even more exhilarating the second time I witnessed the chandelier fall, in Sydney many years later, as our seats were directly beneath its arc. I also got to watch the conductor do their thing and all of the musicians warming up prior to the performance. It was like being able to sneak a peek behind the scenes and it was breathtaking.
My Nan and I listened to the double cassette tape (back in the 90’s here) so many times I’m surprised we didn’t destroy it; we’d get up and dance, with much abandon but little rhythm, around the room each time a new song began. We became so familiar with the entire musical that we’d recite it to each other as it was playing.
While not many of my childhood belongings followed me into adulthood, I still have two Phantom keyrings, the coffee mug where the Phantom’s face glows when you add hot water (it still works!) and the program I bought in Melbourne in the 90’s. I also have all of the piano sheet music and yes, I do intend to finally get around to mastering at least one of the songs one day.
I’m always going to be biased where the Phantom is concerned but I absolutely adored this adaptation. It made me wish I could walk out the door and straight into a performance of the musical. Since that’s not currently possible, I’m going to do the next best thing … reread this graphic novel and indulge in some nostalgia.
Thank you so much to NetGalley and Titan Comics for the opportunity to fall in love with this graphic novel.
Once Upon a Blurb
From the original libretto of Andrew Lloyd Webber’s world-famous, multi-award-winning musical that has been playing continuously around the world for over 33 years comes this fully authorised graphic novel adaptation.
In 1881 the cast and crew of a new production, Hannibal, are terrorised by the Phantom of the Opera, a mysterious, hideously disfigured man who lives beneath the Paris Opera House. Hopelessly in love and obsessed with one of the chorus singers, the Phantom will stop at nothing to make her the star of the show, even if that means murder.